:: Music As Social Agitation Records::MASA Records is Music As Social Agitation, a homespun, not-for-profit label seeking to promote socially and politically mindful artists and to funnel at least the majority of money brought in from the sale of releases to charitable organizations and other non-profits, both socially and politically based. MASA Records is Art For Peoples Sake! | |||||||||||||||||||||||||||||||||||||||||
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:: Sunday, September 12, 2004 :: sitting in the greyhound station here in springfield, MO. looks like we are not gonna be playing the house show tonight and instead will be high-tailing it west to denver (6am arrival tomorrow morning). we really need to be getting that way at this very moment. i think we are gonna try to pick up a show/gig at a coffeeshop tomorrow morning or evening. i want to be playing tomorrow somewhere. i added it up yesterday and though we have 10 of the next 11 days booked, we have had 11 days off. five for the convention. four missed shows. three our fault or the NYPD's and one greyhounds. and two scheduled days off for the last three weeks. huh. not as busy as i would like to be and i am for sure a little pessimistic about how effective or how much we have been successful getting our music out there. lots of fun shows for sure, and nothing to horrible overall happening, but... i dunno. for how taxing this whole greyhound thing has been, and for how much of normal life and normal productivity we are missing right now, i am not sure if it has been worth it. i am eager to do another greyhound tour, but i am thinking the 21 day passes are probably the perfect amount of time. from here on out, i want to be touring at least 60 days a year. maybe two 21 dayers and two week longs. i want to take eli out before the end of the year... so last night was st louis and the infierno room. downtown STL, on washington. an odd area that seems stuck between run-down, urban ghost town and aspiring young, professional gentrification. tons of empty first story spaces right next to ritzy sushi bars and shit. apparently this is the second time in the last decade they have tried to re-vitalize the area. it was kind of like a beautiful GQ-ing model person you might meet and then they laugh and you see there teeth are yellow and they are missing a few. BUT i was excited cause as we approached downtown from our walk from the greyhound, i realized that i had read/looked through a book a few months ago in the library all about urban st louis and its history and development of its architecture through the last century. there really is some beautiful architecture downtown, nothing too flashy but just these huge impressive structures with subtleties. what is most impressive is how all the buildings are packed up tight and right next to each other along the blocks, too the point where it just looks like a massive cube, flat-faced yet striped every quarter-block since there are actually four not one building. tall, high-rising massive wall of concrete and almost forgettable windows. overture. overdeparture. anonozine. more later. the show was fun, the 3-4 people working there were nice considering there was no one else on the bill and about 15-20 patrons over the course of the five hour night. there was obviously a little miscommunication between me and elvis, the owner/booker, which sucked. me and tim made the best of it though hitting up the dollar tacos ten times over and taking in a few of the dollar pabsts and getting replay on the cowboy pinball game 6 times in about 12 plays. we each did two short sets. tim, me, tim, me. things picked up towards the end of the night, we met some nice locals and talked about our scenes and our cities. no offense to you bham and seattle, but everywhere we go, be it rural wisconsin or scary urban downtown areas people are so much friendlier and open-minded than you. sorry if it hurts, but you should really try to smile and listen more often. we all should. (steps off high-horse). we had to catch a 3am greyhound and to get to springfield for our show here tonight, which we cant make.
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